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Your privacy is important to us

MBL Akustikgeräte uses certain cookies and similar technologies (collectively "cookies") to provide our services to you reliably and securely. These cookies are set by default when you visit our websites and do not require consent. With your consent, we and our partners use additional cookies to improve the performance of our websites, to provide you with a personalised browsing experience and to provide interesting content and advertising on the internet. To do this, we collect information about your devices, your usage patterns on our website and your interaction with our advertisements. By selecting "Accept", you consent to our use of additional cookies and agree that we may share the information collected with our partners, some of which may be located outside the EU, for example in the USA. The US is a country that does not provide an adequate level of protection for personal data - as defined by the EU Regulation 2016/679 ("GDPR"). You can revoke or adjust your consent at any time by accessing the "Privacy settings" page.

May 28, 2025

JV’s Best of High End Munich 2025

" Well…this is gonna sound familiar, I’m afraid, but what am I supposed to do? I call them as I hear them, and the $500k MBL 101 X-Treme MKIIsourced by MBL’s C41 streamer and driven by four MBL 9011 monoblocks were the best in the deep bass, the most boxlessly open in staging, the most delicate in the treble, the most three dimensional in imaging, the hardest-hittting in the midbass, and the most naturally rich in tone color top to bottom of any speaker in Munich. In short, they were Best of Show…again, Superb on synth, bass, and voice on VTT’s Vital Tech Tones. Nat Cole on “Route 66” sounded there, as did the muted trumpet, bass, and piano comping him. Charlie Hunter Quartet’s “Day Is Done” was marvelously realistic on drums, bass, congas, percussion, and vocal. Marc Cohn’s voice and those of The Blind Boys of Alabama were in the room with me on “One Safe Place.” The winner and still champion. "

by Jon Valin, Executive Editor of The Absolute Sound Magazine, May 28, 2025

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